Made You Feel (25 Photos)

July 4, 2026
By Vidar
Split header image showing Tom Bobโ€™s fence-shadow roller coaster in Long Beach, California, beside Levaletโ€™s Celle de trop / One Too Many in Paris, with a seated figure reaching toward painted bottles.

Some street art does more than catch your eye. It catches a feeling.

These 25 works turn private feelings into public moments: losing control, missing someone, needing a hug, growing older, carrying grief, and still finding small signs of hope.

More: No One Should Face the World Alone


Street art by Tom Bob in Long Beach, California, where a fence shadow becomes a roller coaster track with tiny painted riders on the pavement.

๐ŸŽข When Life Feels Like a Ride โ€” By Tom Bob in Long Beach, California, USA ๐Ÿ‡บ๐Ÿ‡ธ

Tom Bob makes chaos feel less lonely. A fence shadow crosses the pavement; with a few painted riders, it becomes a roller coaster no one seems to be steering. The artist shared the Long Beach shadow piece himself โ€” funny at first glance, and a little too familiar after that.

๐Ÿ’ก Nerd Fact: Tom Bobโ€™s real trick is attention, not scale: Wide Open Walls describes him as a New York City-based artist who treats manhole covers, utility boxes, and fire hydrants as fair game. That makes this Long Beach piece part of a bigger habit of turning city infrastructure into jokes people almost step over.

More: An Artwork Visible Only in a Specific Time of the Day on Street Art Utopia

๐Ÿ”— Follow Tom Bob on Instagram and see his post of the Long Beach piece


Celle de trop / One Too Many by Levalet in Paris, France, showing a seated figure with one hand over his face and the other reaching toward painted bottles on a wall ledge.

๐Ÿท Celle de trop (One Too Many) โ€” By Levalet in Paris, France ๐Ÿ‡ซ๐Ÿ‡ท

Levalet catches the moment after the limit has passed. The man sits folded against the wall, one hand over his face, the other still reaching for a bottle. Listed by Levalet as Celle de trop, the piece was documented in Paris in 2015 near Rue Beauregard and Rue des Degrรฉs. Funny at first. Sad a second later.

๐Ÿ’ก Nerd Fact: Levalet is the working name of Charles Leval, and his street work grew out of both visual-art studies in Strasbourg and theatrical staging. Urban Nation notes that he places meticulously drawn ink figures into public space like little scenes already in progress.

More: One Too Many on Street Art Utopia

๐Ÿ”— Follow Levalet on Facebook and visit Levaletโ€™s official outside works archive


You Are Offline by Vladimir Abikh in Kolomna, Russia, showing a Chrome-style offline dinosaur mural with the message Donโ€™t panic, look around, interact with reality.

๐Ÿ“ต You Are Offline โ€” By Vladimir Abikh in Kolomna, Russia ๐Ÿ‡ท๐Ÿ‡บ

Vladimir Abikh takes the language of a lost internet connection and puts it on a real wall. The dinosaur, the cactus, the line โ€” all there. Then the advice changes: donโ€™t panic, look around, interact with reality. Abikhโ€™s own project page places You Are Offline in Kolomna in 2017.

๐Ÿ’ก Nerd Fact: The Chrome dinosaur was created by Googleโ€™s Chrome UX team in 2014, and its internal codename was โ€œProject Bolan,โ€ a nod to T. Rex singer Marc Bolan. Abikhโ€™s mural turns a tiny browser Easter egg into public advice. Googleโ€™s Chrome blog

More: Donโ€™t Panic. Look Around. Interact With Reality on Street Art Utopia

๐Ÿ”— Visit Vladimir Abikhโ€™s website and the official project page


Black-and-white street art text on a brick wall criticizing buying things we donโ€™t need with money we donโ€™t have to impress people we donโ€™t like.

๐Ÿ›’ We Buy What We Donโ€™t Need โ€” Artist Unknown

This message does not decorate the wall. It interrupts it. The line is blunt because the habit is blunt: want, buy, prove, repeat. The exact wall and artist remain unclear, but the consumer-culture quote has circulated for decades in several forms.

๐Ÿ’ก Nerd Fact: This line is often pinned on Fight Club or Will Rogers, but Quote Investigator found a strong match in a 1928 Robert Quillen column. The joke is nearly a century old because the shopping reflex is, too.

๐Ÿ”— Context: Quote Investigator on the history of the phrase


Hard Life for Heroes by Johannโ€™s Art in Normandy, France, showing Batman slumped against a wall with his head down and a bottle beside him.

๐Ÿฆ‡ Hard Life for Heroes โ€” By Johannโ€™s Art in Normandy, France ๐Ÿ‡ซ๐Ÿ‡ท

Even Batman looks done. The cape, the symbol, the myth โ€” all of it ends in a slumped body on the pavement. Johannโ€™s Art makes the hero look painfully human, bottle included.

๐Ÿ’ก Nerd Fact: Batmanโ€™s first published appearance was in Detective Comics in May 1939, where DCโ€™s own archive lists Bill Finger among the writers. The broken-hero joke lands differently when the character has carried public fears for more than eight decades.

More: Hard Life for Heroes on Street Art Utopia

๐Ÿ”— Follow Johannโ€™s Art on Instagram


No Future by Banksy, originally a Southampton, England work, showing a child holding the letter O from the word No like a balloon.

๐ŸŽˆ No Future โ€” By Banksy, originally Southampton, England ๐Ÿ‡ฌ๐Ÿ‡ง

Banksy makes the word โ€œfutureโ€ feel fragile by letting a child hold part of it. The O becomes a balloon. This image is often circulated with a Barcelona label, but documentation of the original No Future places it in Southampton, England, around 2010; the Barcelona connection appears to come from a later exhibition or reproduction context rather than the original street location.

๐Ÿ’ก Nerd Fact: The Barcelona confusion is a good example of Banksyโ€™s afterlife: The World of Banksy guide catalogs the original street work as Southampton, 2010, while exhibitions and reproductions keep moving the image to new cities.

More: Who Is Banksy (+16 Photos)

๐Ÿ”— Visit Banksyโ€™s website and see The World of Banksy guide to No Future


Children on a Tank Trap by Banksy in Kyiv, Ukraine, showing two child silhouettes painted on concrete defensive blocks beside a real metal anti-tank obstacle used as a seesaw.

๐Ÿงธ Children on a Tank Trap โ€” By Banksy in Kyiv, Ukraine ๐Ÿ‡บ๐Ÿ‡ฆ

Two dark child silhouettes play around concrete blocks and a real metal anti-tank obstacle near Independence Square in Kyiv. The scene reads like play forced into survival mode. Banksy confirmed a group of Ukraine works in November 2022, and this Kyiv piece is commonly described as children using a tank trap as a seesaw. โ€œLost Childhoodโ€ still fits the feeling, but the verified attribution changes the story.

๐Ÿ’ก Nerd Fact: Banksyโ€™s Ukraine works were not confirmed one by one at first; The Art Newspaper reported in November 2022 that seven pieces had appeared across war-damaged places, turning authentication itself into part of the story.

More: Banksy? Who Is The Visionary of Street Art (25 Photos)

๐Ÿ”— More context from The Art Newspaper and Smithsonian Magazine


The Barriers Children Have to Overcome by Chemis in Jihlava, Czech Republic, showing a painted child behind real railings under a bridge.

๐Ÿšง The Barriers Children Have to Overcome โ€” By Chemis in Jihlava, Czech Republic ๐Ÿ‡จ๐Ÿ‡ฟ

Chemis uses the real railing as part of the image. The child is painted behind it, but the metal bars are not only a prop. They are the wallโ€™s reality. The mural was documented under the Brnฤ›nskรฝ bridge in Jihlava, made with local and European project support. Some children are asked to treat barriers as normal.

๐Ÿ’ก Nerd Fact: Chemis is a Czech-based artist born in Kazakhstan, and his own bio lists collaborations with Doctors Without Borders, Amnesty International, and UNHCR. So the barriers theme fits a broader practice of public art tied to social and humanitarian issues. ChemiS official bio

More: The Barriers Children Have to Overcome on Street Art Utopia

๐Ÿ”— Follow Chemis on Instagram and see Barbara Picciโ€™s documentation


I See Humans but No Humanity by Klisterpeter in Stockholm, Sweden, showing a small figure beside the handwritten message I see humans but no humanity.

๐Ÿ‘ฅ I See Humans but No Humanity โ€” By Klisterpeter in Stockholm, Sweden ๐Ÿ‡ธ๐Ÿ‡ช

Klisterpeterโ€™s message is small, but it hits hard. The words are plain: humans everywhere, humanity missing. Swedish press has documented Peter โ€œKlisterpeterโ€ Baranowskiโ€™s use of this phrase in his street-art work, turning a sidewalk note into a larger feeling: lots of people, lots of motion, not enough care.

๐Ÿ’ก Nerd Fact: โ€œKlisterโ€ is Swedish for paste or glue, a perfect name for a paste-up artist. Lunds konsthall identifies Klisterpeter as Peter Baranowski, born in 1974, who began with graffiti as a teenager before moving to Stockholm and studying at Konstfack.

๐Ÿ”— Follow Klisterpeter on Instagram and read Svenska Dagbladetโ€™s coverage


Follow the Leaders / Politicians Discussing Climate Change by Isaac Cordal in Berlin, Germany, showing miniature suited figures gathered in rising water.

๐ŸŒŠ Follow the Leaders / Politicians Discussing Climate Change โ€” By Isaac Cordal in Berlin, Germany ๐Ÿ‡ฉ๐Ÿ‡ช

Isaac Cordalโ€™s tiny suited figures stand in rising water while discussing the problem around them. The installation belongs to Cordalโ€™s wider Follow the Leaders world and is widely circulated under the title Politicians Discussing Climate Change. The scale is small. The failure is not. It is hard to miss the point when the meeting is already underwater.

๐Ÿ’ก Nerd Fact: The viral climate title is only one life of the work: Cordalโ€™s official archive places it inside Follow the Leaders, an installation that can shrink to five figures or expand to around two thousand, depending on the site. Isaac Cordalโ€™s archive

More: Politicians Discussing Climate Change on Street Art Utopia

๐Ÿ”— Visit Isaac Cordalโ€™s website


Plastic SOS by NME in Teignmouth, England, showing a painted child holding a pole with a white plastic bag flag marked SOS beside the seafront.

๐Ÿ†˜ Plastic SOS โ€” By NME in Teignmouth, England ๐Ÿ‡ฌ๐Ÿ‡ง

NME turns a plastic bag into a distress flag. โ€œSOSโ€ is not decoration here. The artist described the Teignmouth work as a painted installation with the message โ€œSave Our Seasโ€ โ€” a child asking why the ocean keeps getting treated like a bin.

๐Ÿ’ก Nerd Fact: SOS originally was not short for โ€œsave our shipโ€ or โ€œsave our soulsโ€; it was adopted because the Morse pattern was simple and unmistakable. That makes โ€œSave Our Seasโ€ a later, clever backronym for an emergency signal almost everyone already understands. Wired

More: Street Art by NME on Street Art Utopia

๐Ÿ”— Follow NME on Instagram and see NMEโ€™s post about the work


La Ferita / The Wound by JR at Palazzo Strozzi in Florence, Italy, a large illusion opening the palace facade like a deep architectural cut.

๐Ÿ›๏ธ La Ferita (The Wound) โ€” By JR at Palazzo Strozzi in Florence, Italy ๐Ÿ‡ฎ๐Ÿ‡น

JR makes the palace look split open. Installed on Palazzo Strozzi in Florence in 2021, La Ferita was presented by JR and the museum as a wound in the building โ€” a response to closed cultural spaces during the pandemic. The illusion is huge, but the feeling is plain: something is missing, and the building can no longer hide it.

๐Ÿ’ก Nerd Fact: Palazzo Strozziโ€™s own history says construction began at dawn on 6 August 1489, under the sign of Leo. JRโ€™s pandemic wound was pasted onto a building that had already been performing power, access, and status for more than five centuries. Palazzo Strozzi history

More: The Wound on Street Art Utopia

๐Ÿ”— Follow JR on Instagram and visit JRโ€™s official project page


Street art in Chania, Crete, Greece, reading The only good nation is imagination on a worn wall.

๐ŸŒ The Only Good Nation Is Imagination โ€” Artist Unknown in Chania, Crete, Greece ๐Ÿ‡ฌ๐Ÿ‡ท

This line gives the post a breath of air. It does not deny borders, conflict, or fear. It just suggests a better place to start: imagination. Lose curiosity, and the world gets smaller.

More: The Only Good Nation Is Imagination on Street Art Utopia


The Child by Victor Ash in Oakland, California, showing a huge child painted on the side of a tall hotel building at sunset.

โ˜€๏ธ The Child โ€” By Victor Ash in Oakland, California, USA ๐Ÿ‡บ๐Ÿ‡ธ

Victor Ash gives the collection a way back up. Painted in 2021 on the Marriott Hotel at 1001 Broadway in Oakland, The Child is a monumental figure still moving, still lit by sunset. Maybe joy is not small. Maybe it can take up a whole building.

๐Ÿ’ก Nerd Fact: This mural was part of the Zero Hunger mural campaign supporting the UN World Food Programme; Street Art for Mankind calls Victor Ashโ€™s Oakland wall the third mural in that series and the cityโ€™s tallest at the time.

More: The Child Mural by Victor Ash on Street Art Utopia

๐Ÿ”— Follow Victor Ash on Instagram and see Oakland Muralsโ€™ documentation


Missing Your Hug by WD in Bali, Indonesia, showing two people embracing across a tiled wall inside a damaged building.

๐Ÿค— Missing Your Hug โ€” By WD in Bali, Indonesia ๐Ÿ‡ฎ๐Ÿ‡ฉ

WD paints missing someone as a full-body thing. The hug is large, close, and hard to look at if you need one. When WD shared the Bali work in 2020, he framed it through the ache of social distancing and the need for human contact. Sometimes the thing we need is not advice or progress. It is arms around us.

๐Ÿ’ก Nerd Fact: WD is short for Wild Drawing, and Street Art Cities describes him as Bali-born with Fine and Applied Arts training. The Bali setting is not just a backdrop; it loops back to the artistโ€™s own origin story.

More: Missing Your Hug on Street Art Utopia

๐Ÿ”— Follow WD on Instagram and see WDโ€™s post of the mural


A mural by JEKS in Chattanooga, Tennessee, showing an elderly man in grayscale holding bright pink and white flowers in his open hands.

๐Ÿ’ Old Man Holding Flowers โ€” By JEKS in Chattanooga, Tennessee, USA ๐Ÿ‡บ๐Ÿ‡ธ

JEKS gives tenderness the full wall. The flowers are small compared with the portrait, but they carry the piece. It feels like memory, apology, love, or simply the courage to bring someone something beautiful.

๐Ÿ’ก Nerd Fact: JEKS is Brian Lewis, a Greensboro, North Carolina graffiti and mural artist. His official bio says his walls appear across the U.S. and beyond, which makes this quiet Chattanooga portrait part of a much larger spray-can practice. JEKS official site

More: Old Man Holding Flowers on Street Art Utopia

๐Ÿ”— Visit JEKSโ€™ website and JEKSโ€™ shop


A street art message on a wall reading Stay close to people who feel like sunshine.

โ˜€๏ธ Stay Close to People Who Feel Like Sunshine โ€” Artist Unknown

This line does not try too hard. That helps. It does not tell you to be stronger or tougher. It tells you to stay near warmth. Good advice, honestly.

More: Stay Close to People Who Feel Like Sunshine on Street Art Utopia


If I Look in the Mirror I Still Try to See Myself as Big by Ligama in Ravanusa, Italy, showing a giant child painted as if crawling out of a building above a small real person.

๐Ÿชž If I Look in the Mirror, I Still Try to See Myself as Big โ€” By Ligama in Ravanusa, Italy ๐Ÿ‡ฎ๐Ÿ‡น

Ligama makes self-image physical. A huge child leans over the edge of the wall, and a real person below looks tiny by comparison. It speaks to that old feeling of trying to find the version of yourself you once imagined.

๐Ÿ’ก Nerd Fact: Street Art Cities records this work under the title Abyss; Ligama says it was inspired by Nietzscheโ€™s idea that the abyss also looks back at you. The wall turns self-image into something that looks back. Street Art Cities

More: If I Look in the Mirror I Still Try to See Myself as Big on Street Art Utopia

๐Ÿ”— Visit Ligamaโ€™s website


Ti regalo un fiore / I Give You a Flower by Cheone in Porto Viro, Italy, showing a baby in sunglasses and a blue cap reaching out from the wall with a daisy.

๐ŸŒธ Ti regalo un fiore (I Give You a Flower) โ€” By Cheone in Porto Viro, Italy ๐Ÿ‡ฎ๐Ÿ‡น

Cheone turns a wall into a small offering. On a residential building facing Piazza Caduti Triestini in Porto Viro, a baby in sunglasses reaches out with a daisy. No speech. No grand gesture. Just a flower.

๐Ÿ’ก Nerd Fact: Local Italian coverage of the Porto Viro project explains that the two daisies on the childโ€™s cap symbolize union between Donada and Contarina, the two towns that formed Porto Viro. Rovigo24Ore

More: I Give You a Flower on Street Art Utopia

๐Ÿ”— Follow Cheone on Instagram and see Artspotsโ€™ location entry


The Mermother by Smug in Greenock, Scotland, a large mural of a mother breastfeeding a child, with a mermaid tail across the lower wall.

๐Ÿงœโ€โ™€๏ธ The Mermother โ€” By Smug in Greenock, Scotland ๐Ÿ‡ฌ๐Ÿ‡ง

Smug puts care at building scale. Painted in Greenock as part of a campaign to normalize breastfeeding, the mural shows a mother feeding a child, with a mermaid tail filling the lower wall. A private moment becomes public without being made strange. Tenderness gets room.

๐Ÿ’ก Nerd Fact: This was public-health street art, not just decoration: Inverclyde Council reports that health visitors and infant-feeding staff were involved because breastfeeding was treated as a community wellbeing issue.

More: 24 Times SMUG Made Walls Look More Real Than Life

๐Ÿ”— Follow Smug on Instagram and read Inverclyde Councilโ€™s report on the mural


Portrait of a Tibetan living in exile by Adnate in Melbourne, Australia, showing a large close-up mural of an older face with a red collar and blue background.

๐Ÿ•Š๏ธ Portrait of a Tibetan Living in Exile โ€” By Adnate in Melbourne, Australia ๐Ÿ‡ฆ๐Ÿ‡บ

Adnate paints a face that will not disappear into the distance. Exile can make people feel separated from place, language, and home. This mural does the opposite. It gives one person a large, direct presence.

๐Ÿ’ก Nerd Fact: GraffitiStreet reports that Adnate photographed the Tibetan woman in Northern India in 2015 before painting her in Melbourne in 2016. The mural is not a generic face of exile, but a portrait carried from one encounter to another city.

๐Ÿ”— Visit Adnateโ€™s website


The Power of Time by Rustam QBic in Kazan, Russia, showing three seated figures with Rubikโ€™s Cube heads on the side of a tall building.

โฐ The Power of Time โ€” By Rustam QBic in Kazan, Russia ๐Ÿ‡ท๐Ÿ‡บ

Rustam QBic paints time as three bodies on one wall. Childhood, adulthood, memory, and age sit together, each with a Rubikโ€™s Cube for a head. The work was made in Kazan for the Urban Morphogenesis festival, and QBic shared it as The Power of Time. The private ache of getting older becomes something public.

๐Ÿ’ก Nerd Fact: The Rubikโ€™s Cube was originally a teaching object: the official Rubikโ€™s history says Ernล‘ Rubik, an architecture professor, created the prototype in 1974 to help students understand three-dimensional space. In QBicโ€™s mural, the puzzle becomes a head full of time. Rubikโ€™s official history

More: The Power of Time on Street Art Utopia

๐Ÿ”— Follow Rustam QBic on Instagram and see QBicโ€™s post of the mural


The Embrace of a Wish by Jade Rivera in the Dominican Republic, showing a young childโ€™s face looking upward on a patched wooden wall.

๐ŸŒ™ The Embrace of a Wish โ€” By Jade Rivera in the Dominican Republic ๐Ÿ‡ฉ๐Ÿ‡ด

Jade Rivera paints a child looking upward on a patched wooden wall. The rough surface stays visible, which makes the face feel even more present. The piece is quiet, but it carries a lot of longing.

๐Ÿ’ก Nerd Fact: Jade Riveraโ€™s official biography describes him as a Peruvian visual artist and muralist whose work explores Latin identity and emotion; that background helps explain why a small child on rough wood can feel like a whole memory. Jade Riveraโ€™s official site

More: The Embrace of a Wish on Street Art Utopia

๐Ÿ”— Visit Jade Riveraโ€™s website


A Glimpse of Humanity by SMOK in Ronse, Belgium, showing a mother chimpanzee holding a young chimpanzee on a black wall with colorful smoke-like lines.

๐Ÿซถ A Glimpse of Humanity โ€” By SMOK in Ronse, Belgium ๐Ÿ‡ง๐Ÿ‡ช

SMOK paints care with a tired face and a bright-eyed child. The mother chimpanzee looks worn down. The child brings light back into the scene. The artistโ€™s own page lists the mural as A Glimpse of Humanity, painted for the VibeRonse street art project at Blauwesteen 220 in Ronse. It reaches beyond species without needing a speech.

๐Ÿ’ก Nerd Fact: The title is doing biological work too: the American Museum of Natural History notes that chimpanzees and bonobos are our closest living relatives, with humans and chimps sharing about 98.8% of their DNA. โ€œHumanityโ€ here is not only moral language. American Museum of Natural History

More: A Glimpse of Humanity on Street Art Utopia

๐Ÿ”— Follow SMOK on Instagram and visit SMOKโ€™s official project page


Mural by HERA of Herakut in Vincennes, France, showing a huge fox, two children, an open book, and handwritten French text on a bookstore facade.

๐Ÿ“– Open a Book โ€” By HERA of Herakut in Vincennes, France ๐Ÿ‡ซ๐Ÿ‡ท

HERA turns a bookstore facade into an invitation. Painted for Le Point Millepages in Vincennes, the mural wraps a huge fox around a child with a book, while another child stands by the tail. The wall says reading can open a door when the street feels too narrow.

๐Ÿ’ก Nerd Fact: STRAAT Museum notes that HERA often works with humanitarian organizations on art programs for children and underprivileged youth. So the book on this wall is not just a cute prop; it sits inside a wider practice about access, imagination, and care.

More: Mural by HERA of Herakut in Vincennes on Street Art Utopia

๐Ÿ”— Follow HERA on Instagram


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Discussion 12 comments

  1. All profound pieces. Big ups to thee artists!

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