When Nature Become Art (8 Photos)

July 21, 2026
By Vidar
Split image showing Anna & The Willow's woven archer in Skipton Castle Woods, England, beside NΓ€util's giant blue eye facing the sea in Siouville-Hague, France

Move these works, and part of the story disappears.

Grass linked a village with its valley. A willow huntress recalled a woodland’s medieval past. A painted eye met the spring tide. None of these eight works would tell quite the same story anywhere else.


GaΓ«lle Villedary's Tapis rouge!, a ribbon of living grass curving through a narrow stone street in Jaujac, France

🌱 Tapis rouge! β€” By GaΓ«lle Villedary in Jaujac, France πŸ‡«πŸ‡·

For a 2011 performance marking the tenth anniversary of Jaujac’s Art and Nature Trail, GaΓ«lle Villedary rolled Tapis rouge! through the center of the village: 420 meters of living turf made from 168 rolls and weighing 3.5 metric tons. The temporary path linked the village center with the natural landscape on either side. More: When Street Art Meets Nature.

πŸ’‘ Geology Fact: The green carpet crossed volcanic country. Nearby, the Coupe de Jaujac’s lava flow forms a 3.5-kilometer cliff of basalt columns along the Lignon River.


Curtis Hylton's Nightingale and the Rose mural, with two pale birds and roses climbing a narrow brick wall in Aalborg, Denmark

🌹 Nightingale and the Rose β€” By Curtis Hylton in Aalborg, Denmark πŸ‡©πŸ‡°

Painted in 2023 for KIRK Gallery’s Out in the Open project, Nightingale and the Rose fills the facade at Absalonsgade 2. Hylton took its palette from the surrounding buildings and shaped the composition around the architecture, while the birds and roses came from Oscar Wilde’s story of the same name. More: Nature and wildlife murals by Curtis Hylton.

πŸ’‘ Literary Fact: In Wilde’s story, the nightingale gives her life to create a red roseβ€”only for the student to throw it away after the professor’s daughter chooses jewels instead. In a May 1888 letter, Wilde called the nightingale the story’s true lover.

πŸ”— Follow Curtis Hylton on Instagram


Anna & The Willow's large archer sculpture woven from willow, standing with her bow drawn on a path in Skipton Castle Woods, England

🏹 Spirit of the Medieval Huntress β€” By Anna & The Willow at Skipton Castle Woods, England πŸ‡¬πŸ‡§

The photograph shows Anna Cross’s original nine-foot willow archer, commissioned by the Woodland Trust in 2018 for Skipton Castle Woods. The woods once served as a larder and hunting ground for the castle, and the Huntress and her companion, The Stalking Horse, were created to recall that medieval use. After the original willow deteriorated, Sylvan Skills rebuilt the frames and rewove the sculptures in 2024. See the work in Beautiful Moments When Nature and Art Became One.

πŸ’‘ Restoration Fact: The restoration involved more than replacing old willow. A new inner layer was woven in spirals and curves for strength, while the Huntress received a fuller figure and a bow shaped more like a traditional yew bow.

πŸ”— Follow Anna & The Willow on Instagram


Spencer Byles' Circles, concentric rings woven from branches and aligned between trees in a forest near La Colle-sur-Loup, France

β­• Circles β€” By Spencer Byles near La Colle-sur-Loup, France πŸ‡«πŸ‡·

Byles’s archive names this work Circles and credits the photograph to Leo Fry. It formed part of A Year in a French Forest near La Colle-sur-Loup. Byles carefully selects each site but keeps the precise locations private, allowing forest visitors to discover the sculptures by chance. More: Artworks That Seem to Grow From Nature.

πŸ’‘ Ephemeral Art Fact: Byles does not see his sculptures as fixed objects. He intends them to change until they disappear, with the forest’s return becoming the final stage of the work.


Jon Foreman's Mushroom Path, with flat beach stones balanced like mushroom caps across wet sand at Druidston, Wales

πŸ„ Mushroom Path β€” By Jon Foreman at Druidston Haven, Wales πŸ‡¬πŸ‡§

Foreman identifies this piece as Mushroom Path (2024), created at Druidston Haven in Pembrokeshire. Broad stones balance on thin upright supports, forming a loose trail of mushroom-like shapes across the wet sand. More: Land art by Jon Foreman.

πŸ’‘ Tide Fact: The incoming tide can cut visitors off at Druidston Haven. For land art made on wet sand, the beach is both studio and clock: the available ground changes as the water returns.

πŸ”— Follow Jon Foreman on Instagram


Curtis Hylton's Flamboyant Fawn mural of a deer and pheasant among autumn leaves on a brick wall in Ashford, England

🦌 Flamboyant Fawn β€” By Curtis Hylton in Ashford, England πŸ‡¬πŸ‡§

Painted for Ashford Unframed in 2023, Hylton’s Flamboyant Fawn covers the side of Bucksford Law on Bank Street. Hylton worked with the property owners, and the deer refers directly to the firm’s name. A pheasant watches from the autumnal ferns below. More: Nature and wildlife murals by Curtis Hylton.

πŸ’‘ Local Fact: Street Art Cities shortlisted 25 murals from a network then receiving daily uploads from more than 1,200 cities. Voters in Ashford and around the world chose Flamboyant Fawn as March 2023’s winner; the festival itself created an 18-stop mural trail.

πŸ”— Follow Curtis Hylton on Instagram


Jon Foreman's Rubra Spiralis, a spiral of red stones widening across the sand at Sandy Haven, Wales

πŸŒ€ Rubra Spiralis β€” By Jon Foreman at Sandy Haven Beach, Wales πŸ‡¬πŸ‡§

Foreman identifies Rubra Spiralis as a 2024 work created over two days at Sandy Haven Beach in Pembrokeshire. He wrote that the tide stopped short of the piece, giving him time to complete the expanding spiral of red stones. More: Land art by Jon Foreman.

πŸ’‘ Geology Fact: Sandy Haven gives its name to a local rock formation. Its exposed red mudstones preserve evidence of an arid climate, while a four-meter layer called the Townsend Tuff records ancient volcanic ashfall.

πŸ”— Follow Jon Foreman on Instagram


NΓ€util's giant blue eye painted on a concrete blockhouse overlooking the beach and sea at Siouville-Hague, France

πŸ‘οΈ The Eye β€” By NΓ€util in Siouville-Hague, France πŸ‡«πŸ‡·

NΓ€util painted The Eye across a coastal blockhouse in 2014, facing the sea. The silhouette of Flamanville nuclear power station was reflected in its pupil. In 2016, he closed and then erased the eye, using its disappearance to explore change, time, and graffiti’s habit of making room for what comes next. See more photos of The Eye and the collection Life and Poetry by NΓ€util.

πŸ’‘ Timing Fact: NΓ€util imagined the work as an appointment with a spring tide. He gave himself until the end of the second day to finish painting the blockhouse.

πŸ”— Follow NΓ€util on Instagram


Which one is your favorite?

Discussion 30 comments

    1. The artist is Anna Cross, who works as Anna & The Willow. She created the original nine-foot Huntress for Skipton Castle Woods in 2018.

      Reply
  1. I wish I could fund the painting of a mural on our firewall to be artistically functional.

    Reply
  2. Comment on this photoπŸ„ Mushroom Path β€” By Jon Foreman at Druidston Haven, Wales πŸ‡¬πŸ‡§View photo ↑

    If coming upon this whimsy during a carefree beach stroll for sand treasures, I’d feel delight. Explore it from all angles with appreciation and happy chirping of thankfulness to have been there, at that time, so as to be able to experience it. Whimsy is one of my watchwords on the Journey. But this designed work of unique craft is not truly artistic nor art. However, in no way does that take away any true pleasure that is its own.

    Reply
  3. Comment on this photoπŸ‘οΈ The Eye β€” By NΓ€util in Siouville-Hague, France πŸ‡«πŸ‡·View photo ↑

    The realistic effect of the painted eye, with gorgeously hued iris and the lightshine on the wetness of the eye ball exqusitely rendered, and its black bushy spikes of enviable eyelashes, are appealing to me. Yet the image smacks of commercial art, nothing finer. The human-rendered gigantic human eye, crashed brazenly onto the mundane beach, overrides its setting, actually degrades the sky of its authentic earthblues and blowsy clouds, with the gritty grey beach and unspectacular washes of incoming sea breaches, which we all have seen often and most of us have experienced to accepted familiarity. That reality and the unreality of the eye simply do not twine well. They don’t suit. It doesn’t work. Ugly, yes.

    Reply
  4. Comment on this photoπŸŒ€ Rubra Spiralis β€” By Jon Foreman at Sandy Haven Beach, Wales πŸ‡¬πŸ‡§View photo ↑

    Visually, tecturally and neurologically appealing. The red-toned stones denote the fiery depths and minerals which formed them. Each up-ended, stack-leant stone displays its uniquely shaped journey through eons of earth time. The layers of stones curving perfectly by height into gradients of “conchness” carries ones inner consciousness into eternities of nature’s inescapable parentage of our selfhood. The stones have been meticulously laid one by one in a surfeit of caution and care by a homosapien, but the location, media used and formation the artwork takes, all bring the man into the center of this everlasting evidence of the Creator.

    Reply
    1. The person who created this will stay about 100 years happily 😁😁bez he/she
      Have same wavelenght btw me and he/she

      Reply
      1. It’s shit! Ugly! And again man taking shit into his own hands.

        Reply

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