Most Loved (9 Photos vol. 8)

By Vidar

Picked by reader reactions. See the live Top 100

Jon Foreman beside the flowing stone rows of Fluidus at Freshwater West, paired with Debra Bernier’s The Tree and Me, a root sculpture with closed eyes and crossed hands in a forest.

Nine street art favorites, from a fox breaking free to a woman emerging from roots.

A giant fox climbs through brickwork. A straw bird towers over a child. Roots become a woman, beach stones seem to flow, and a rider in a red veil fills a building’s end wall. These nine reader favorites bring together murals, sculptures, and land art with very different ideas of scale.

More: Street Art Themes


Dzimuši brīvībai by Aleksandrs and Oļegs Marinohs, a giant black fox climbing through a brick building at Lastādija in Riga, Latvia.

🦊 “Dzimuši brīvībai” — By Aleksandrs and Oļegs Marinohs in Riga, Latvia 🇱🇻

A giant black fox seems to climb out through the brickwork, its tail curled over the wall behind it. Aleksandrs and Oļegs Marinohs created the sculpture with Dzīvnieku brīvība to speak up for animals confined on industrial farms.

💡 Nerd Fact: More than 100 volunteers wove the fox’s coat from metal wire and hemp cord.

More: Sculptures With Unique Creativity (8 Photos)


Ho-oh, a giant rice-straw bird at the Wara Art Festival in Niigata, Japan, spreads its wings above a child.

🪽 “Ho-oh” — Wara Art Festival in Niigata, Japan 🇯🇵

A child stands beneath the straw bird’s outstretched wings, making its enormous scale immediately clear. For the 2021 Wara Art Festival, Musashino Art University students designed Ho-oh remotely. Local volunteers built it at Uwasekigata Park in Niigata, weaving rice straw around a wooden frame.

More: When Sculptures Come Alive (12 Photos)


The Tree and Me by Debra Bernier on Vancouver Island, a woman formed from roots and wood with closed eyes and hands crossed over her heart.

🌿 “The Tree and Me” — By Debra Bernier on Vancouver Island, Canada 🇨🇦

With her eyes closed and both hands over her heart, Debra Bernier’s figure seems to grow straight out of the mossy bank. Twisting roots become hair and body, joining the sculpture to the forest around it.

More: When Nature Becomes Design (16 Photos)


Fluidus by Jon Foreman at Freshwater West in Wales, with curved rows of colored beach stones tapering into fine trails and the artist crouching beside them.

🌊 “Fluidus” — By Jon Foreman at Freshwater West, Wales 🇬🇧

Rows of colored stones sweep across the sand, shrinking from a broad rounded edge into fine, curling trails. Jon Foreman made Fluidus at Freshwater West in 2022. His careful spacing makes solid pebbles look as though they are flowing, while his crouching figure gives the whole arrangement a sense of scale.

More: When Artists Play With Nature (12 Photos)


Hilandera by Pejac in Salamanca, Spain: a black silhouette holds a clothesline that becomes a giant spiderweb on a gray wall, with a bird above.

🕸️ “Hilandera” — By Pejac in Salamanca, Spain 🇪🇸

A painted woman handles a line that opens into a giant spiderweb across the wall. A small bird sits above it. Pejac’s Hilandera dates from 2010; the bare gray surface lets the thin black lines carry the entire scene.

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Shauquethqueat’s Eutrochium by Mona Caron in Jersey City, showing a giant Joe Pye weed mural on a tall dark building beneath a pink sunset sky.

🌇 “Shauquethqueat’s Eutrochium” — By Mona Caron in Jersey City, New Jersey, USA 🇺🇸

Joe Pye weed grows to the scale of a tower in Mona Caron’s Jersey City mural. Its reddish stems and clusters of pink flowers climb the dark façade, with the sunset echoing their color. The plant is native to the area; Caron painted this version at 26–28 Cottage Street in 2021.

💡 Nerd Fact: Caron’s project record gives the mural a painted area of 23,100 square feet across 23 floors. Its title uses Shauquethqueat, the transcribed Mohican name of a documented nineteenth-century healer associated with Joe Pye weed.

More: Clever With Nature (10 Photos)


SEPC’s blue portrait on a street corner in Manizales, with closed eyes, orange face markings, a paintbrush and a blue snake.

🐍 Mi eterno pecado — By SEPC in Manizales, Colombia 🇨🇴

A blue face fills the corner wall, while orange markings follow the brow and cheeks. SEPC places a paintbrush in the figure’s hand and a snake beside it, keeping the small objects visible against the much larger portrait.


Cris Herrera’s VENUS TACARIGUA mural in Valencia, showing a woman under a red veil riding a pale pink horse above the pavement.

🐎 VENUS TACARIGUA — By Cris Herrera in Valencia, Venezuela 🇻🇪

A rider and a pale horse occupy almost the entire end wall, with the people below giving a sense of their size. Cris Herrera painted VENUS TACARIGUA for Ciudad Mural in Valencia. The rider wears a red veil and a skirt patterned with skulls.


Jon Foreman crouches beside Incline Spiral at Sandy Haven, a raised spiral of red stones surrounded by carefully arranged smaller pebbles.

🌀 Incline Spiral — By Jon Foreman at Sandy Haven, Wales, UK 🇬🇧

Large red stones stand on edge while smaller pebbles fill the spaces around the spiral. Jon Foreman made Incline Spiral at Sandy Haven on 19 May 2025, arranging the stones by hand. His crouching figure shows how far the pattern spreads across the beach.

More: Art in Nature by Jon Foreman

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Discussion 53 comments

    1. Yes. Debra Bernier’s own Shaping Spirit page identifies this image as The Tree and Me and says the original sculpture was made with roots and wood.

      Reply
    1. Jon Foreman said it took two days, if he remembered correctly.

      Reply
    1. It isn’t AI—Jon Foreman made Incline Spiral by hand at Sandy Haven on 19 May 2025. He is crouching beside the finished work in the photo.

      Reply
    1. Yes—this is a real sculpture by Debra Bernier, titled The Tree and Me. The roots and wood form the figure; it was photographed on Vancouver Island.

      Reply
        1. Yes. Debra Bernier’s own Shaping Spirit site identifies this exact image as The Tree and Me and says it is based on the original sculpture, created with roots and wood.

          Reply

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