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Sculptures That Blend With Nature (10 Photos)

May 15, 2026
By Vidar

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Split feature image showing Mehmet Ali Uysal’s Skin 2, a giant wooden clothespin pinching a grass mound in Belgium, and Leandro Erlich’s Window with Ladder – Too Late for Help in an open field.

Public art can make a plain place worth stopping for.

These sculptures use grass, trees, water, sand, and open space as part of the work.

Here are 10 sculptures from around the world: a giant clothespin pinching the ground, a zipper opening a lawn, and a bench waiting in a slingshot. Small everyday ideas, made very large.

More: 30 Sculptures You (Probably) Didn’t Know Existed

Skin 2 by Mehmet Ali Uysal, a giant wooden clothespin sculpture in Belgium pinching a grassy mound, with trees behind it and a cyclist passing on a path.

🪵 Skin 2 — By Mehmet Ali Uysal, originally in Chaudfontaine Park, Belgium 🇧🇪

Made for Parc Hauster in Chaudfontaine, near Liège, Belgium, Skin 2 looks like a wooden clothespin pinching the ground. Turkish artist Mehmet Ali Uysal turned a clothespin into a sculpture so large that the lawn becomes part of the work.

💡 Nerd Fact: The original Chaudfontaine installation is no longer a regular park stop: Atlas Obscura now marks the site as permanently closed and notes that the sculpture was no longer in the park in its April 2022 update. The work still appears in gallery records: Pi Artworks lists Skin 2 as a 2010 sculpture measuring 700 × 800 cm, courtesy of the municipality of Liège.

HAND and PARK TREE, also known as The Caring Hand, by Eva Oertli and Beat Huber in Glarus, Switzerland, with oversized concrete fingers rising around the trunk of a tree in a leafy park.

🤲 HAND and PARK TREE (The Caring Hand) — By Eva Oertli and Beat Huber in Glarus, Switzerland 🇨🇭

In the Volksgarten in Glarus, Switzerland, the work known as The Caring Hand rises around a living tree. Beat Huber documents the installation as HAND and PARK TREE, realized with Eva Oertli. The oversized concrete fingers make the tree look held and protected.

💡 Nerd Fact: Beat Huber says the idea began in 1990 as an art-in-architecture proposal for a new agricultural school, but it was shelved because there was not enough space or money. When it was finally made for Skulptura 04 in 2004, it was planned to last only four months. Public pressure changed that: private donors raised CHF 43,700, and Glarus received the hand as a gift from the public.

About and more photos: The Caring Hand – Sculpture in Glarus, Switzerland

One of the Shuttlecocks by Claes Oldenburg and Coosje van Bruggen lies on the lawn at The Nelson-Atkins Museum of Art in Kansas City, with visitors sitting beside the huge orange-and-white birdie.

🏸 Shuttlecocks — By Claes Oldenburg and Coosje van Bruggen in Kansas City, Missouri, USA 🇺🇸

In the Donald J. Hall Sculpture Park at The Nelson-Atkins Museum of Art in Kansas City, Missouri, giant badminton birdies sit in the grass. The work, called Shuttlecocks, was created by Claes Oldenburg and Coosje van Bruggen. It looks like a huge game stopped mid-rally and nobody came back to clean it up. The museum lists each shuttlecock as nearly 18 feet tall, about 16 feet across, and 5,500 pounds.

💡 Nerd Fact: Oldenburg and van Bruggen’s idea was architectural, not just oversized. The Nelson-Atkins says they imagined the museum building as the badminton net and the lawn as the playing field, then placed four shuttlecocks as if a rally had frozen on both sides of the “net.”

Leandro Erlich’s Window with Ladder – Too Late for Help shows a white ladder leaning into a floating brick wall with a window in an open field.

🪟 Window with Ladder – Too Late for Help — By Leandro Erlich in New Orleans, Louisiana, USA 🇺🇸

Leandro Erlich’s Window with Ladder – Too Late for Help shows a white ladder leading to a brick wall with an open window. The wall appears to float above the field with no house attached. The work is now in the Sydney and Walda Besthoff Sculpture Garden at the New Orleans Museum of Art.

💡 Nerd Fact: NOMA lists the work’s hidden support system as a steel underground structure, but the context is more serious than the engineering. It was first installed in 2008 in a vacant lot in New Orleans’ Lower Ninth Ward for Prospect.1, in an area devastated by Hurricane Katrina.

Give by Lorenzo Quinn shows two large white hands cupping the base of an olive tree in a sunlit park.

🌳 Give — By Lorenzo Quinn, now in Pietrasanta, Italy 🇮🇹

Give by Italian artist Lorenzo Quinn shows two giant hands holding an tree. The hands sit low in the grass, making the tree look newly planted and protected.

💡 Nerd Fact: Halcyon Gallery described Give (this time a olive tree) as a gift from Quinn and Halcyon Gallery to Pietrasanta, first unveiled in Florence’s Uffizi Gardens in 2020. Quinn’s biography says it later stood outside Palermo Cathedral before being permanently installed in Pietrasanta’s International Park of Contemporary Sculpture.

More by Lorenzo Quinn: Support – Message About Climate Change

Schleudersitz by Cornelia Konrads shows a wooden bench pulled back between two tree trunks like a giant slingshot, with red straps across a grassy park.

🚀 Schleudersitz — By Cornelia Konrads, made for Neustadt an der Donau, Germany 🇩🇪

German artist Cornelia Konrads built Schleudersitz with a wooden bench, rubber, steel cable, and the trees on site. It looks ready to launch across the grass. Sitting there might feel like trusting the artist a little too much.

💡 Nerd Fact: The German title Schleudersitz means “ejection seat,” and the location made the joke sharper. Sculpture Network records the 2010 work as part of the Flying Objects exhibition on a former vineyard, now a leisure park, overlooking the Danube Valley.

Corridor Pin, Blue by Claes Oldenburg and Coosje van Bruggen shows an oversized blue and silver safety pin standing in a green sculpture garden in San Francisco.

🧷 Corridor Pin, Blue — By Claes Oldenburg and Coosje van Bruggen in San Francisco, USA 🇺🇸

In the Barbro Osher Sculpture Garden at the de Young Museum in San Francisco, Corridor Pin, Blue stands over the garden like a sewing tool left in the wrong scale. Created by Claes Oldenburg and Coosje van Bruggen, the blue base and long silver pin make it hard to miss.

💡 Nerd Fact: This giant safety pin is not alone. NOMA’s collection lists another Corridor Pin, Blue as edition 3/3, while the Nasher Museum identifies an artist’s proof with the same 255 × 256 × 16 inch dimensions. The “tiny” domestic object has siblings in more than one city.

Zip by Mark Richard Hall, a stainless-steel zipper water feature embedded in grass in a Hamptons garden, opening to reveal a narrow stream of water.

🤐 Zip — By Mark Richard Hall in the Hamptons, New York, USA 🇺🇸

This grass-and-water zipper is best identified as Zip, a private Hamptons commission by British sculptor Mark Richard Hall. The oversized metal zipper opens the lawn into a narrow water feature, making the garden look unzipped.

💡 Nerd Fact: This image is an easy caption trap. It often circulates online as a Yasuhiro Suzuki sculpture in Tokyo, but stronger sources point to Hall. Mark Richard Hall’s own studio lists a commission called Zip in the Hamptons, and Architectural Digest identifies a stainless-steel zipper sculpture by Hall embedded in the grass at a Southampton home. Suzuki’s verified zipper work is the boat-based Zip-Fastener Ship, which uses a wake to “unzip” water.

Hallow by Daniel Popper in Lisle, Illinois, shows a monumental female figure opening her chest, with flowering pink trees around the sculpture.

🌸 Hallow — By Daniel Popper, formerly at The Morton Arboretum in Lisle, Illinois, USA 🇺🇸

Daniel Popper’s Hallow is a monumental figure of a woman opening her chest. The hollow space inside is framed by hands, carved hair, and trees in bloom around the work. It was installed near Meadow Lake at The Morton Arboretum in Lisle, Illinois.

💡 Nerd Fact: Hallow belonged to Popper’s Human+Nature exhibition, which the Morton Arboretum described as his first major U.S. exhibition and largest anywhere at the time. The Arboretum now notes that the exhibition has concluded, but Popper’s own text for the work connects Hallow to grief, self-expression, growth, and healing rather than a simple “nature goddess” reading.

More photos: 5 Photos of Sculpture “Hallow” By Daniel Popper in Lisle, Illinois

Augere by Jon Foreman in Druidston, Wales, shows dark stones arranged in tight concentric circles on wet sand, with cliffs, tide pools, and the artist sitting nearby.

🌀 Augere — By Jon Foreman, created at Druidston, Wales, UK 🇬🇧

Jon Foreman arranged natural stones in tight circles on the sand at Druidston, Wales. In a 2025 post, Foreman identified the work as Augere. The piece changes as the tide moves in. More: Amazing Sculptures by Jon Foreman! (12 Photos)

💡 Nerd Fact: Foreman’s land art is not built to survive the coast. In an interview, he says the tide washes a work back to the tide line and he returns the next day to “an empty canvas”. So with pieces like Augere, disappearance is not a failure. It is part of the schedule.

Which one is your favorite?

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69 Comments

  2. Imagine If it was to be closed. The sky would fold into the ground. Pretty neat.

    Reply

  5. This made me laugh. Laughing is so important to a person’s well being

    Reply

  26. Don’t understand how this is holding up..is it an optical illusion or is it actuall standing at a salvaged angle?

    Reply

  27. This sculpture is so amazing brilliant the way how he designed it it just is so cool through how he has that ladder in the window together I’d like to know how he did that how he designed it and how he made it very brilliant

    Reply

    1. Lol who gives dam I say kill the polar beats😇😇🙏😂😂

      Reply

  53. […] More: Sculptures That Blend With Nature (10 Photos) […]

    Reply

  54. I like 2 and nine,I’m my mind they show the care they have for nature,and the feeling of loneliness.

    Reply
  55. Real World Art or AI? (8 Photos) – STREET ART UTOPIA | Ned Hamson's Second Line View of the News
    August 21, 2025

    […] More: 9 Amazing Sculptures That Blend With Nature […]

    Reply

  56. Please feature Sense of Place in Netherlands, with ‘Broken Jug’, ‘de Streken’, ‘Wachten op Hoog water’,‘Terp fan de Takomst’, ‘Dijk van een wijf’ and many more

    Reply

  58. I guess I see ‘seamless’ as representing the fact that no matter what we do/make we are utterly dependent on and a part of nature. I love the window, I interpret it as our home being the whole world, we can put up walls, but we cannot shut out that connection. I’ve only recently properly understood that ALL of our food comes from plants (they make glucose and proteins from carbon dioxide, sunlight, water and soil), even if we eat meat, that ‘meat’ ate plants. Even lab grown meat is grown on agar from plants. I’ve also only recently understood that water treatment companies do not (?cannot) remove the toxins we put in our drains, which means that we drink all those toxins (this includes things like pesticides, all the drugs we’ve taken that pass out in our wee and poo, chemicals that we use to clean our homes (those ones that say ‘toxin, do not drink), toxic waste from making tin cans, computers, clothes etc etc). There are currently a huge number of people on earth and we are producing too many toxins and using more resources than is sustainable (ie those resources like trees, plants, water, insects and animals will run out), yet we cannot survive without them. We know this, yet still do it, which is heartbreaking. I hope these sculptures help people to respect nature and do more to protect it (which is the same as protecting our future generations). This is easy to do just by being aware of our impact and choosing to buy less, buy organic and do everything in our power to use less energy (petrol, oil, wood, nuclear etc). These are big changes, but it is possible to change jobs and work locally, it is possible to buy organic (yes, it’s more expensive, but if we plan our meals so nothing is thrown away and eat a plant based diet and less processed foods, it is actually cheaper), it’s possible to love walking through a wood or swimming in the sea more than buying the latest thing. It’s hard to face reality, but if we are brave enough to do so and to make choices in line with nature, then it brings an immense feeling of peace, and who doesn’t need more of that?

    Reply

    2. That’s not what the window means at all though. It was initially installed in the ninth ward in New Orleans. It’s a ladder by an open window, with no one trying to climb out. The name of the
      sculpture is window and ladder-too late for help. Meaning the ppl living on the other side of that window didn’t make it.

      Reply

  59. “GIVE” The caring hands, are beautiful and so protective of the small tree. It feels like it’s telling us to love and care for nature, which is such an important message. I love this sculpture!! Congratulations to all the artists..all the sculptures were well done and super cool! Glad to see all of the artists sculptures exhibited from all around the world..GREAT SCULPTURES ARTISTS!!!

    Reply

  60. Yes Panama’s. ‘Seamless’ is a much overused and inaccurate adjective, especially in real estate hype. So many ads talk of ‘seamless transition from indoors to the garden ‘ when the visual change from indoor floor to outside deck or lawn is so bloody obvious!

    Reply

  61. How can some of these be considered “seamless”? They don’t blend into their surroundings, they stick out in an obvious way. At best perhaps three of the examples presented could be considered seamless.

    Reply

    1. Truly incredible, amusing while amazing. I could spend many a peaceful hour with these sculptures. These are true artists with genius sight. Too bad some people are jealous of real artistic genius.

      Reply

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